Paints Mediums

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Mont Marte Premium Acrylic Pouring Medium 240ml
Create your own fluid art by adding this pouring medium to your acrylic paints! You can also use it in small amounts to make your brushstrokes flow better in regular acrylic painting. Features: Ideal for fluid art Improves the flow of acrylic paints Increases paint transparency Dries clear This versatile medium can also be used to create smooth brush strokes in regular acrylic painting Also available in 1L size
$11.50
Liquitex Professional String Gel Effects Medium 237ml
  • A Gel with honey-like consistency 
  • Enhances depth of color and increases transparency
  • permanent, non-yellowing, flexible and water resistant when dry
  • Mix with acrylic color for interesting applications and effects
  • Do not mix with oils
  • Gently pour to yield a long, constant-flowing string of gel
  • Mix with acrylic color and brush to create long streaking effects
  • Contains 2-ethylhexyl acrylate. May produce an allergic reaction.








$16.90
Winsor & Newton Thickened Linseed Oil
This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention.
  • Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness).
  • Resists yellowing.
  • Not suitable as a varnish or final coat.

$11.00
Winsor & Newton Drying Linseed oil
Darker than refined Linseed Oil, this oil promotes the fastest drying rate of all the oils, whilst increasing gloss.
  • Improves flow.
  • Increases gloss & transparency.
  • Add to other oils to speed drying.

$9.90
Tianma Heasteed Oil Color Emulsion Matt Medium Classic And Standard For Artists Use 75ml
  • This product is a semi-water emulsion, which can increase adhesion of the color. The damar resin and cellulose are non-volatile, and with their strong adhesive performance, the colors can firmly attached to the canvas, and produce inferior smooth effect.
$4.80
Tianma Heasteed Oil Color Drying Medium Classic And Standard For Artists Use 75ml
  • A fast drying medium for oil colors
  • The color shade and brightness will not change but even more glossy and moist. Drying time: 12-16 hours.
  • The adhesion and fastenness would be hightened between each layer.

$8.50
Winsor & Newton Refined Linseed Oil 75ml
Our most popular oil. A low viscosity alkali refined oil of pale colour that dries slowly.
Reduces oil colour consistency.
Increases gloss & transparency.
Add to other oils to slow drying.
$7.90
Linseed Stand Oil
A pale viscous oil that slows drying while imparting a tough, smooth enamel finish with no brush marks.
  • Increases film durability.
  • Ideal for glazing & fine detail if mixed with solvent.

$7.90
Liquitex Professional Light Modeling Paste Medium 237ml
  • Thick, creamy with satin finish; Good pigment load
  • Retains peaks and brush strokes; Ideal for learning color theory and color mixing
  • Includes 237ml tube of acrylic paint
  • Intermixable with Liquitex Professional Acrylic Paint Colors and Mediums.
  • Safe for educational use










$12.95
Mont Marte Modelling Paste 500ml
Mont Marte Modelling Paste is fantastic for creating textured backgrounds on a variety of surfaces. Depth of texture can be built up by adding layers once paste is dry. Small objects may also be embedded into the paste for other 3D effects. Great when applied with Mont Marte Palette Knives. Clean up with water. FEATURES modelling paste dries white may be over-painted with acrylic or oil paint SUITABLE FOR USE WITH Mont Marte Canvas Products Mont Marte Palette Knives
$12.00
Liquitex Professional Matte Gel Medium 237ml
  • Dries translucent with a satin/matte finish; Viscosity and body similar to Liquitex Heavy Body Paint
  • Lightweight, non-toxic; Translucent when wet, transparent when dry
  • Intermixable with Liquitex Professional Acrylic Paint Colors and Mediums.
  • Retains brush strokes
  • Opaque when wet, dries translucent and matte
  • Extends paint volume
  • Slow drying time and enhances blending
  • Permanent, non-yellowing, flexible and water resistant when dry
  • Mix with any acrylic color
  • Can thin by adding up to 25% water
  • Do not mix with oils
  • Excellent glue for collage
  • Safe for educational use








Liquitex offers the broadest range of acrylic mediums to inspire creativity at every stage of the painting process. Liquitex Gel Mediums add body to thinner paint for impasto techniques as well as extending color volume and adding transparency. Gels tend to dry slower than thinner paint films, allowing for more workable time. Gel mediums can modify acrylic paints in a variety of ways and since they contain acrylic resins, tend to improve adhesion and durability. Liquitex gel mediums can add texture enhance color and increase transparency within your work Liquitex Matte Gel Painting Medium dries translucent with a satin/matte finish. Viscosity and body similar to Liquitex Heavy Body Artist Color. Translucent when wet, transparent when dry. Thicker applications result in less transparent, dry medium films. Mix with Liquitex Heavy Body Artist Color to obtain paint similar in color depth to oil paint. Color mix will dry to a satin sheen. APPLICATION: AS EXTENDER: Mix with Liquitex Heavy Body Artist Color to extend volume and increase translucency while maintaining paint viscosity. Mix with Liquitex Soft Body Artist Color to extend volume and increase translucency while increasing paint viscosity. AS GROUND: Recommended as a translucent ground (size) for acrylic paint with excellent tooth and adhesion as an alternative to gesso. Will allow some color and texture of the support to show through. Use as a substitute size for the hide glue size traditionally used for oil paintings. To prevent Substrate Induced Discoloration (SID) wash cotton or linen canvas before use. EXTERIOR MURALS: If the support or wall is very rough, a coat of Liquitex Matte Gel Medium should be brushed, or toweled, onto the surface prior to gesso application. FOR IMPASTO EFFECT: Mix with Liquitex Heavy Body Acrylic Color for impasto effects that dry to a matte sheen.
$16.90
Mont Marte Impasto 500ml
Mont Marte Impasto is a clear drying medium used to create texture and retain brush strokes. Impasto can be mixed with acrylics directly and will not change the effect of the final colour. Clean up with water. FEATURES is a water-based medium so it cannot be mixed with oils but it can be painted over with oils once left to dry adds an expressive quality to artworks and has the ability to bring painting into the third dimension SUITABLE FOR USE WITH Mont Marte Canvas Products Mont Marte Palette Knives NOTE: Select the 'Care' tab to download the Care Instructions PDF for usage with all our paints and brushes.
$17.00
Tianma Heasteed Oil Painting Slow Dry Medium Classic And Standard For Artists Use 75ml
  • A transparent liquid, which is extracted from plant distillation, still has the natural aromatic smell of plants.
  • When it is used for mixing oil colors, i can keep the color coating wet.
$16.20
Tianma Heasteed Oil Of Spike Lavender Oil Color Medium Classic And Standard For Artists Use 75ml
  • Oil of spike lavender, also known as lavender oil, is one of the major medium of the European classical traditional painting. Which is made from the whole spike lavender plants with a light scent. It is pure and transparent, and without any impurities.

$4.20
PEBEO FRAGONARD EXTRA FINE ARTIST PIGMENT
Pebeo Fragonard Pigments are very pure with good lightfastness to give a spectrum of lively tints. These pigments are intermixable and covering, and they do not completely reveal their colour until well ground.
Pigments have been known since the earliest times; they were used as cosmetics by the Greeks, Romans and Egyptians. Pigments, which occur naturally in minerals or in animal or plant organic materials, are the basis of all colours. For over 50 years, Pebeo has manufactured pigments for oil, acrylic, watercolour and gouache paints. Together with Pebeo binding agents, pigments are the essential raw materials for all those who wish to make their colours themselves.

      Storage QTY
1 Ture cadmium yellow light S4 9
2 Cadmium Yellow Hue S2 10
3 Cadmium Yellow Orange Hue S3 8
4 True Cadmium Orange S4 9
5 True Cadmium Red S4 9
6 Napthol Red S4 10
7 Carmine Red S4 7
8 Ouinacridone Pink S4 8
9 Quinacridone Violet S4 9
10 True Cobalt Violet S5 10
11 Phtatocyanine Blue S3 9
12 True Cerruteum Blue S5 7
13 True Cobalt Blue S5 10
14 True Ultamarine Blue S2 8
15 True Prussian Blue S2 7
16 Cobalt Turquoise S4 8
17 Phthalocyanine Green S3 11
18 Cobalt Green Light S5 8
19 Cobalt Green Deep S5 9
20 True Chrome Green S3 10
21 Raw Sienna S1 10
22 Burnt Sienna S1 9
23 Raw Umber S1 10
24 Burnt Umber S1 10
25 Red Iron Oxyde S1 9
26 Black S1 5
27 White S2 9
28 Pearl S3 5
29 Bronze S4 7
30 Gold S5 8
$1.00
Safflower Oil
This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention.
  • Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness).
  • Resists yellowing.
  • Not suitable as a varnish or final coat.

$11.00
Artists Picture Cleaner
A natural resin/oil emulsion containing ammonia designed for cleaning varnished paintings. It works by dissolving linseed oil oxidation and will remove surface dirt and the products of oxidation in the old varnish.
  • Shake before and during use.
  • Clean small areas with cotton wool pads.
  • When cleaning is complete remove any remaining cleaner with distilled turpentine.
  • Batch colour and settlement may vary.
Please note, however, that a picture that needs to have old varnish removed should be entrusted to a competent picture restorer. Unvarnished paintings may also be treated with Artists’ Picture Cleaner but great care is necessary and the process should be stopped immediately if any colour appears to be coming off the painting.
$11.00
Sansodor
A low odour solvent which evaporates slowly, increases blending time and is suitable for thinning oil colours and cleaning brushes.
  • Suitable for oil & alkyd colour.
  • Well suited to artists who prefer to avoid exposure to turpentine.

$7.90
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