Winsor & Newton温莎牛顿
A pocket-sized plastic box with integral mixing palette containing 12 assorted Cotman Water Colour half pans, plus a pocket brush.
Cotman Watercolours are a range of moderately priced colours which are made to exacting standards and have been carefully selected to offer a wide colour spectrum with a uniform price. The range is suitable for both amateur artists and the accomplished artists who require large volumes of colours at an economical price. They possess good transparency, with excellent tinting strength and good working properties. Costs are kept to an economical level by replacing some of the more costly pigments with less expensive alternatives.
Set contains the following colours
Colours may vary 119Cadmium Yellow Pale Hue109Cadmium Yellow Hue 103Cadmium Red Pale Hue003Alizarin Crimson Hue 660Ultramarine179Cobalt Blue Hue 599Sap Green696Viridian Hue 744Yellow Ochre074Burnt Sienna 076Burnt Umber150Chinese White
Please note: due to trading agreements we are unable to ship this product to Russia.
 434 Pale Lemon |
 346 Lemon Yellow |
 114 Cadmium Yellow Pale Hue |
 653 Transparent Yellow |
 120 Cadmium Yellow Medium Hue |
 115 Cadmium Yellow Deep Hue |
 257 Flesh Tint |
 90 Cadmium Orange Hue |
 682 Vermilion Hue |
 95 Cadmium Red Hue |
 203 Crimson |
 466 Permanent Alizarin Crimson |
 502 Permanent Rose |
 448 Opera Rose |
 488 Permanent Magenta |
 75 Burgundy |
 444 Pale Violet |
 728 Winsor Violet |
 660 Ultramarine |
 446 Powder Blue |
 179 Cobalt Blue Hue |
 138 Cerulean Blue Hue |
 706 Winsor Blue |
 541 Prussian Blue Hue |
 516 Phthalo Blue |
 435 Pale Olive |
 599 Sap Green |
 447 Olive Green |
 311 Hooker's Green |
 483 Permanent Green Light |
 484 Permanent Green Middle |
 482 Permanent Green Deep |
 522 Phthalo Green |
 232 Deep Turquoise |
 294 Green Gold |
 60 Buff Titanium |
 422 Naples Yellow |
 744 Yellow Ochre |
 553 Raw Sienna Opaque |
 552 Raw Sienna |
 74 Burnt Sienna |
 77 Burnt Sienna Opaque |
 437 Pale Terracotta |
 564 Red Ochre |
 76 Burnt Umber |
 438 Pale Umber |
 554 Raw Umber |
 676 Vandyke Brown |
 465 Payne's Gray |
 331 Ivory Black |
 337 Lamp Black |
 386 Mars Black |
 415 Mixing White |
 644 Titanium White |
 283 Gold |
 214 Copper |
 617 Silver |
 537 Process Yellow |
 533Process Magenta |
 535 Process Cyan |
- Winsor & Newton Watercolor Set 12/18/24 colorsWideWater Colour range offers bright, vibrant colors and unrivaled performance. Watercolour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments and are known for their brilliance, permanence, and strength of colour., Transparency
- The transparency of our W&N Water Colour is achieved by the unique process of pigment dispersion during manufacture. The natural characteristics of each pigment highlight the paint transparency level. In watercolor painting, thin washes are applied to allow the white of the paper to reflect through the wash.
- Great for organizing colors, handling out paint and learning color theory.
- High-quality tube designed, lead-free poison.
- Superior figment for beginners and professional artists.
- A range of modern and traditional colors. * Made with dedicated choice of materials, carefully deployed, light fastness, stability, making the paintings preserved longer.
- Cost Effective Set of 12, 10ml tubes in a cardboard box. * Made in China.
Formula
Every colour in the Winton range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour.
Drying time:
All colours will become touch dry in 2-12 days. The different drying rates are due to the different reaction of each pigment when mixed with oil.Fast drying (around 2 days):
Prussian Blue, Raw Sienna, Umbers.
Medium Drying (around 5 days):
Phthalo Blue and Viridian Hue (phthalocyanines), Burnt Sienna, Ultramarine Blues, Synthetic Iron Oxides, Ochres, Titanium White, Zinc White, Lamp Black, Ivory Black.
Slow Drying (more than 5 days):
Cadmium Hues (arylamides), Permanent Rose (Quinacridone), Alizarin Crimson Hue.
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The 4" x 6" Postcards contain 15 sheets 300gsm .
The A5 postcards contain 12 sheets 300gsm .
- Packing:4 Set/6set
- Type:Watercolor Brush
- Handle Material:Wood
- Age:
- Soluble Or Not:Paint
- Size:Standard
- Model Number:001200
- Hair Material:Mink Hair
Number Tip Length (mm) Tip Width (mm) Tube Length(mm) Pen Length (mm)
Winsor & Newton ProMarker
Expert, versatile and boasting an unrivaled color spectrum, this is a must-have, professional quality addition to your marker collection.
Includes 12 Colours
An extensive palette of colours, that provide for a broad range of creative applications, from design and illustration to comic art and all kinds of craft-based activities.
Twin-Tipped
The fine bullet nib is narrower, making it ideal for more precise detailing and line work. The broad nib is great for quick visuals and filling in larger areas.
Fully Blendable
It's possible to overlay different colours to produce new colours & depending on how wet the ink is, smooth transitions can be achieved. A special colourless ProMarker Blender can be used to soften and merge colours together.
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Extended Colour DepthProMarker colours have a translucent quality and can be layered to achieve varying depth and opacity. Going over the same spot creates a darker tone of the same colour, enabling a versatile range of shading effects. | Paper That Works BestFor the best results, use ProMarker in conjunction with Winsor & Newton Bleedproof Paper. Although lightweight at just 75gsm, it has been specially formulated to prevent marker ink from bleeding. It's also very white and smooth and will make your colours look rich and vibrant with high levels of contrast. When not using Bleedproof Marker Paper, it is best to use a heavyweight paper or card stock with a smooth coated surface. | High Quality, Dye-Based ColourThe colour dyes used in ProMarkers ensure even colour lay down, with outstanding vibrancy and tonal variation. Unlike ordinary felt tipped pens or low grade markers, ProMarker colour appears perfectly even, with no unsightly streaking. |
Formula
Every colour in the Winton range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour.
Drying time:
All colours will become touch dry in 2-12 days. The different drying rates are due to the different reaction of each pigment when mixed with oil.Fast drying (around 2 days):
Prussian Blue, Raw Sienna, Umbers.
Medium Drying (around 5 days):
Phthalo Blue and Viridian Hue (phthalocyanines), Burnt Sienna, Ultramarine Blues, Synthetic Iron Oxides, Ochres, Titanium White, Zinc White, Lamp Black, Ivory Black.
Slow Drying (more than 5 days):
Cadmium Hues (arylamides), Permanent Rose (Quinacridone), Alizarin Crimson Hue.
WINSOR&NEWTON ARTISTS' OIL COLOUR is unmatched for its purity, quality and reliability – a success which is reflected in its world-wide reputation amongst professional artists. Every Winsor & Newton Artists’ Oil Colour is individually formulated to enhance each pigment’s natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.
Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist’s Oil Colour ensures the best raw materials are made into the world’s finest colours. There are 120 colours in 37ml tubes and 32 colours from the range are also available in the 200ml tubes.
Winsor and Newton Artists’ Oil Colours owe their reputation for supreme quality to the careful selection of the very finest pigments. To produce colours of reliable consistency and a high standard of colour matching demands a combination of the traditional crafts of the artist colourmen and modern colour technology skills. The colours in this range each contain the maximum pigment content with good handling qualities and achieve the highest possible tinting strength when reduced with white.
The buttery consistency of Artists’ Oil Colour, together with the smell of linseed oil, are the two characteristics most admired by oil painters. The colour qualities and blendability of oil paint can’t be beaten by other media. The consistency of the body of Winsor & Newton colours can retain brush or palette knife marks or it can be thinned to the very finest of glazes.
WINSOR&NEWTON ARTISTS' OIL COLOUR is unmatched for its purity, quality and reliability – a success which is reflected in its world-wide reputation amongst professional artists. Every Winsor & Newton Artists’ Oil Colour is individually formulated to enhance each pigment’s natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.
Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist’s Oil Colour ensures the best raw materials are made into the world’s finest colours. There are 120 colours in 37ml tubes and 32 colours from the range are also available in the 200ml tubes.
Winsor and Newton Artists’ Oil Colours owe their reputation for supreme quality to the careful selection of the very finest pigments. To produce colours of reliable consistency and a high standard of colour matching demands a combination of the traditional crafts of the artist colourmen and modern colour technology skills. The colours in this range each contain the maximum pigment content with good handling qualities and achieve the highest possible tinting strength when reduced with white.
The buttery consistency of Artists’ Oil Colour, together with the smell of linseed oil, are the two characteristics most admired by oil painters. The colour qualities and blendability of oil paint can’t be beaten by other media. The consistency of the body of Winsor & Newton colours can retain brush or palette knife marks or it can be thinned to the very finest of glazes.